Linda Edition Mapper

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▶ Import · Boogie Woogie Bugle Boy

← All port routes

Yokohama Port & Occupied Nightlife Port Network

Yokohama occupation jazz → postwar kayōkyoku / national singing standard

Kayokyoku· Genre pageEarly R&B· Genre page

Scroll down to follow the path from import to output

  1. ① Import

    1941Yokohama Port / US Eighth Army Base (Seaside)

    Boogie Woogie Bugle Boy

    The Andrews Sisters

    Jump-swing / boogie-woogie rhythm imported via U.S. occupation camps and FEN radio at Yokohama Port.

    Song page
  2. ② Crucible

    1948Yokohama International Theater & post-war circuits

    東京ブギウギ (Tokyo Boogie Woogie)

    美空ひばり (Misora Hibari) ← 笠置シヅ子 / 服部良一 (1947)

    Night-after-night sets as the “little girl who mimicked Shizuko Kasagi” at Yokohama International Theater forged swing feel and rhythmic physicality to the limit.

    Song page
  3. ③ Output

    1957Nippon Columbia / Tokyo

    港町十三番地 (Minato-machi 13-ban-chi)

    美空ひばり (Misora Hibari)

    U.S. jazz–mambo rhythm fully fused with Japanese harbor-town melancholy melody—an irreversible national kayōkyoku landmark.

    Song page

Import → Crucible → Output

What to listen for

U.S. jazz and boogie-woogie offloaded at shipping speed from occupied Yokohama Port and Isezaki-chō, embodied on brutal postwar touring stages, then fused with Japanese kobushi ornament to establish the modern kayōkyoku singing standard.

  • Import

    Jump-swing / boogie-woogie rhythm imported via U.S. occupation camps and FEN radio at Yokohama Port.

  • Crucible

    Night-after-night sets as the “little girl who mimicked Shizuko Kasagi” at Yokohama International Theater forged swing feel and rhythmic physicality to the limit.

  • Output

    U.S. jazz–mambo rhythm fully fused with Japanese harbor-town melancholy melody—an irreversible national kayōkyoku landmark.