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Blues

Rooted in the work songs and spirituals of African Americans, the blues is the vernacular music of the American South. The emotional charge of its blue notes and syncopated drive flowed through jazz, R&B, rock and roll, and country alike. Its 1940s urban electrification merges into early R&B on the pathway graph. Jimmie Rodgers' "Blue Yodel No. 1" carried this blues idiom into white country music.

GENRE PATHWAY EXPLORER22 NODES · 31 EDGES

LAYER

HEAD Blues · 2 ancestors · 2 ROOTS

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Songs in this genre

18 / 18 songs
01

St. Louis Blues

W. C. Handy (1914) → Bessie Smith feat. Louis Armstrong (1925)

An early published blues composition was redefined by Bessie Smith and Louis Armstrong into an immortal jazz-blues standard.

Vocal authorityCall and responseFormal canon
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02

I'm Your Hoochie Coochie Man

Muddy Waters (1954) → Muddy Waters (1954)

Overdriven amp distortion and repeating riffs became the American source side of the blues-rock merge.

Electric riffChicago blues
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03

Rollin' Stone

Muddy Waters (1950) → The Rolling Stones (1962)

Transformed a stark, solo electric country-blues lament into the standardized ensemble foundation of British blues-rock.

Ensemble ExpansionRhythmic StandardizationContextual Evolution
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04

Roll 'Em Pete

Big Joe Turner & Pete Johnson (1938) → Big Joe Turner (1954)

City-club boogie-woogie supplied the backbeat matrix of early R&B.

Hard backbeatBoogie drive
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05

Pinetop's Boogie Woogie

Pinetop Smith (1928) → Pinetop Smith (1928)

The 1928 landmark that first put “boogie woogie” in a title — saloon piano turned percussion.

8-to-the-barPiano as rhythm machine
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06

It's Tight Like That

Georgia Tom & Tampa Red (1928) → Clara Smith (1929)

Secular blues shuffle supplied the bodily groove for the modern gospel merge.

Triplet shuffleHokum secularism
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07

Living on Easy Street

Big Bill Broonzy (1938) → Ray Charles (1954)

An urban dancehall blues joined the gospel secularization as the bridge that helped birth soul.

Secular beat suppliedBridge inspirationSacred × secular merge
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08

Caldonia

Louis Jordan & His Tympany Five (1945) → Bill Haley & His Comets (1959)

A dancehall jump blues was transformed into the driving engine of rock and roll.

Horns to rock bandBeat intensifiedAudience expanded
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09

Hound Dog

Big Mama Thornton (1952) → Elvis Presley (1956)

The Black R&B original "Hound Dog" became, through Elvis’ rock and roll, the social phenomenon that put the teenage market at the center of popular music.

Shuffle to rock beatMade visible on TVCrossing the color line+1
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10

Shake, Rattle and Roll

Big Joe Turner (1954) → Bill Haley & His Comets (1954)

The physicality of Black jump blues reached the pop market as a rock and roll beat through a white band’s cover.

Walking bassHard backbeatLyric rewrite+1
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11

Sweet Home Chicago

Robert Johnson (1936) → The Blues Brothers (1980)

From the Delta to Chicago. The prototype for urban blues and a globally beloved blues standard.

Standard EstablishedUrban OrientationCountless Successors
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12

Cross Road Blues

Robert Johnson (1936) → Cream (1968)

A legendary track where the zenith of acoustic blues profoundly influenced later rock generations.

Zenith of SlideBuilding the LegendLink to Rock
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13

High Water Everywhere

Charley Patton (1929) → Charley Patton (1929)

A folk-blues masterpiece memorializing the 1927 disaster and recording the community's suffering.

Disaster RecordHistorical WitnessPowerful Technique
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14

Pony Blues

Charley Patton (1929) → Howlin' Wolf (1952)

A primal Delta blues is carried into postwar Chicago blues when Patton's student Howlin' Wolf sings it as "Saddle My Pony."

Master to studentA song renamedThe sound shifts+1
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15

Crazy Blues

Mamie Smith & Her Jazz Hounds (1920) → Tuba Skinny (2014)

The "first blues recording" of 1920 is sung again from the streets of New Orleans in 2014, ninety-four years later.

A commercial singularityWho singsThe era it reaches+1
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16

Match Box Blues

Blind Lemon Jefferson (1927) → Carl Perkins (1957)

Blind Lemon Jefferson's country blues was decisively redefined into Carl Perkins' rockabilly anthem 'Matchbox'.

Groove re-anchoredGuitar transposedFolk to dance floor
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17

Jim Jackson's Kansas City Blues

Jim Jackson (1927) → Janis Joplin (1963)

A Memphis street blues formalized into twelve bars — one of the first million-selling records of the blues.

12-bar formalizedRace-record hitProto-boogie
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18

Blue Yodel No. 1 (T for Texas)

Jimmie Rodgers (1927) → Johnny Cash & Merle Haggard (1970)

A twelve-bar blues skeleton fused with a yodeling chorus — country music's first commercial hit.

Blues skeletonYodel fusionHybrid codified+1
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