▶ George Frideric Handel

Variations and Fugue on a Theme by Handel

George Frideric Handel (1733) → Johannes Brahms (1861)

1733 — Harpsichord Suites in London
Original
George Frideric Handel — 1733

Classical / Western harmony

The third movement (Aria con variazioni) from George Frideric Handel's 'Suites de pièces pour le clavecin, Vol. 2' (HWV 434). A poised, symmetrical 8-bar Baroque aria adorned with delicate ornamentation.

Now playing
Variations and Fugue on a Theme by Handel, Op. 24
Johannes Brahms — 1861

Classical / Western harmony

Composed in 1861 by a 28-year-old Johannes Brahms and dedicated to Clara Schumann. Brahms took Handel's galant theme and forged 25 rigorous variations culminating in a colossal final fugue, demonstrating that classical counterpoint remained a vital modern force.

A monumental fusion of Baroque elegance and Romantic symphonic density, transforming Handel's graceful aria into 25 dynamic character variations and an awe-inspiring master fugue.

From original to redefined

What to listen for

A monumental fusion of Baroque elegance and Romantic symphonic density, transforming Handel's graceful aria into 25 dynamic character variations and an awe-inspiring master fugue.

  • From Harpsichord Grace to Symphonic Piano Polyphony

    Strictly adhered to Handel's foundational harmonic proportions while saturating each bar with contrapuntal devices, canonic imitations, and Romantic weight.

  • The Final Fugue: Revitalizing Ancient Counterpoint

    Capped 25 variations with a sprawling fugal tour-de-force, permanently reaffirming the expressive power of strict polyphony in the Romantic era.

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