▶ Sidiki Diabaté & Djelimady Sissoko

Duga — Cordes Anciennes

Sidiki Diabaté & Djelimady Sissoko (1970) → Toumani Diabaté & Ballaké Sissoko (1999)

1970 — the year the kora first became the sole star of a recording

Recorded in Bamako in 1970, "Cordes Anciennes" was the first album devoted entirely to the kora. Master griots Sidiki Diabaté and Djelimady Sissoko committed the oral repertoire of the Mande empire to tape with microtonal bends — the seed of the blue note — and a speech-like, narrative touch. That pitch flexibility is the very source the blues would inherit as the "blue note."

Now playing

In 1999, the sons Toumani Diabaté and Ballaké Sissoko answered their fathers' landmark with "New Ancient Strings," recorded in a single live take in a marble hallway of Bamako's conference center. The old bones remain, but the playing carries the new techniques and styles of modern Bamako — a griot lineage handed down and redefined across generations.

The same griot lineage, redefined across generations: the fathers' "Ancient Strings" (1970) become the sons' "New Ancient Strings" (1999).

From original to redefined

What to listen for

The same griot lineage, redefined across generations: the fathers' "Ancient Strings" (1970) become the sons' "New Ancient Strings" (1999).

  • Generational handover

    From the fathers' 1970 tape to the sons' 1999 recording, the same repertoire continues

  • How it was recorded

    From an archival field session to a live one-take in a marble hallway

  • The microtonal seed

    Carries the pitch bends that would become the blues' blue note

  • Storytelling carried on

    Oral history is polished into solo kora instrumental art

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