▶ Wolfgang Amadeus Mozart

Notte e giorno faticar (Diabelli Variations, Op. 120: Var. 22)

Wolfgang Amadeus Mozart (1787) → Ludwig van Beethoven (Peter Serkin) (1823)

Classical / Opera buffa / Bass Aria
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Classical / Romantic / Piano Variations
1787 — Premiere of Don Giovanni in Prague
Original
Wolfgang Amadeus Mozart — 1787

Classical / Opera buffa / Bass Aria

Composed in 1787 by Wolfgang Amadeus Mozart as the opening aria of Don Giovanni, sung by Leporello who vents his frustration: 'To toil day and night for someone who appreciates nothing.'

Now playing
Diabelli Variations, Op. 120: Var. 22 (Allegro molto, alla "Notte e giorno faticar" di Mozart)
Ludwig van Beethoven (Peter Serkin) — 1823

Classical / Romantic / Piano Variations

Published in 1823 as Variation 22 of Beethoven's Diabelli Variations (Op. 120). By directly quoting Mozart's bass motif onto Diabelli's waltz, Beethoven humorously compared his exhausting labor of composing 33 variations to Leporello's servitude.

A brilliant parody transmuting Mozart's comic opera into a structural critique of Diabelli's trite waltz.

From original to redefined

What to listen for

A brilliant parody transmuting Mozart's comic opera into a structural critique of Diabelli's trite waltz.

  • Dual Projection of Harmonic and Melodic Structure

    Recognizing the identical leaping bass progression between Mozart's aria and Diabelli's waltz, Beethoven superimposes the Mozart line onto the variation framework to expose and satirize the original theme.

  • Contextual Shift via Parody

    Projects Leporello's grievance against his master onto Beethoven's own exasperation with Anton Diabelli's commission, transforming dramatic text into self-referential instrumental irony.

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