▶ Lightning Washington & Prisoners

Good God Almighty (Field Holler)

Lightning Washington & Prisoners (1933) → C.B. Cook & Prisoners at Parchman Farm (1947)

1933 — when the Lomaxes began recording Black labor songs on Southern prison farms

Recorded in December 1933 by John and Alan Lomax at Darrington State Prison Farm in Texas. Lightning Washington and the prisoners' unaccompanied hollers were a direct continuation of the labor culture born under slavery, carried from cotton fields and railroad camps into the penitentiary. The call-and-response that bound the gang together is the structural, physical foundation of the blues.

Now playing

In 1947 Alan Lomax recorded "Rosie" at Parchman Farm in Mississippi. C.B. Cook and the prisoners' axes set the beat for the call-and-response, which reached the world through the 1958 album "Negro Prison Songs" — the moment the field holler was heard as the mother of the blues.

The same labor-song lineage moves from Texas in 1933 to Mississippi in 1947 — until the unaccompanied holler is recorded and heard around the world.

From original to redefined

What to listen for

The same labor-song lineage moves from Texas in 1933 to Mississippi in 1947 — until the unaccompanied holler is recorded and heard around the world.

  • Where it was caught

    From a Texas prison farm (1933) to Parchman Farm, Mississippi (1947)

  • How it reached the world

    From early field recordings to the LP "Negro Prison Songs"

  • Bodies in rhythm

    Ax- and hoe-timed call-and-response becomes the blues' repetitive physicality

  • The prehistory recorded

    Work songs are first widely heard as the blues' root

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