▶ Clarence Ashley

The Coo Coo Bird

Clarence Ashley (1929) → Big Brother and the Holding Company (1966)

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Psychedelic Rock / Acid Rock
1929 — when the recording industry discovered the hillbilly music of the Appalachians
Original
Clarence Ashley — 1929

Folk

A fatalistic ballad forged in the isolated ridges of the Appalachian mountains. Clarence Ashley immortalized it in 1929 with eerie sawmill-tuned modal banjo drone, and Harry Smith's 1952 'Anthology of American Folk Music' turned the recording into a sacred cornerstone of the counterculture generation.

Now playing
Coo Coo

In 1966 San Francisco's Big Brother and the Holding Company — with Janis Joplin — recorded the song as 'Coo Coo'. Replacing acoustic banjo plucking with blistering fuzz-guitar riffs and thunderous psychedelic drums, they transformed a fatalistic mountain ballad into an explosive anthem of West Coast counterculture acid rock.

A solitary Appalachian folk ballad irreversibly decontextualized into late-1960s West Coast psychedelic rock.

From original to redefined

What to listen for

A solitary Appalachian folk ballad irreversibly decontextualized into late-1960s West Coast psychedelic rock.

  • Banjo drone → fuzz riff

    Repurposed an archaic sawmill-tuning banjo drone into a heavy psychedelic fuzz-guitar riff

  • Mountain orality → acid trip

    Connected rural Appalachian fatalism directly to the ecstatic ballroom trip of the counterculture

  • Anthology consummated

    Demonstrates how Harry Smith's folk anthology catalyzed West Coast acid rock

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